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The Social History of Smoking

George Latimer Apperson

Chapter 3:

The accomplished Shift promises a would-be pupil in the art of taking tobacco that if he pleases to be a practitioner, he shall learn in a fortnight to "take it plausibly in any ordinary, theatre, or the Tiltyard, if need be, in the most popular assembly that is." The Tiltyard adjoined Whitehall Palace and was the frequent scene of sports in which Queen Elizabeth took the greatest delight. Here took place, not only tilting properly so called, but rope-walking performances, bear- and bull-baiting, dancing and other diversions which her Majesty held in high favour. Consequently the Tiltyard was constantly the scene of courtly gatherings; and if smoking were permitted on such occasions—as Shift's boasting promises would appear to indicate—then it may be reasonably inferred that Queen Elizabeth did not entertain the objections to the new practice that her successor, King James, set forth with such vehemence in his famous "Counterblaste to Tobacco." There is, however, no positive evidence one way or the other, to show what the attitude of the Virgin Queen towards tobacco really was. A tradition as to her smoking herself on one occasion is referred to in a subsequent chapter—that on "smoking by Women."

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.

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